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THE HARBINGER (REVIEW)

Dir. Andy Mitton Reviewer. Martyn Wakefield FrightFest hit THE HARBINGER finally hits home cinema and is a stark reminder of how quickly...

THE LAIR (REVIEW)

Dir. Neil Marshall Reviewer. Martyn Wakefield Budget should never be a constraint for good story telling but it's evident that what was...

DON'T SAY A WORD (REVIEW)

Dir. Gary Fleder Reviewer. Dan Cook A film with a title almost as forgettable as it’s premise, DON'T SAY A WORD is a painfully...

GATLOPP: HELL OF A GAME (REVIEW)

Dir. Alberto Belli Reviewer. Martyn Wakefield GATLOPP: HELL OF A GAME opens up with so much promise that it feels like it's a deserved...

THE 3RD GUEST (REVIEW)

Dir. Sean Patrick Cannon Reviewer. Martyn Wakefield THE 3RD GUEST highlights the balance between storytelling and budget that asks the...

SOMETHING IN THE DIRT (REVIEW)

Dir. Justin Benson, Aaron Moorhead Reviewer. Martyn Wakefield From Moorhead and Benson comes another mindfuck of cinema that reverts any...

M3GAN (REVIEW)

Dir. Gerard Johnstone Reviewer. Martyn Wakefield From writer and producer James Wan come ANOTHER killer doll movie. The director who's...

FRIGHT NIGHT [1985] (REVIEW)

Dir. Tom Holland Reviewer. Dan Cook Released during the heyday of the 80’s vampire movie, FRIGHT NIGHT is a thrilling, gruesome and often...

THE MONSTER AND THE GIRL (REVIEW)

Dir. Stuart Heisler Reviewer. Dan Cook It’s all a load of monkey business in THE MONSTER AND THE GIRL, a very strange horror crime...

JASON X (REVIEW)

Dir. James Isaac Reviewer. Joey Keogh Cronenberg, space and one of the best deaths in slasher cinema, JASON X is without doubt the...

MAN MADE MONSTER (REVIEW)

Dir. George Waggner Reviewer. Dan Cook The film that first introduced horror protege Lon Chaney Jr. to the genre, George Waggner’s MAN...

THE HOURGLASS SANITORIUM (REVIEW)

Dir. Wojciech Has Reviewer. Dan Cook I’ve seen some pretty weird things in my time. However, never in my 31 years of movie watching have...

FRIDAY THE 13TH [1980] (REVIEW)

Dir. Sean S. Cunningham Reviewer. Dan Cook A mainstay of the slasher genre since it’s unprecedented opening in the Summer of 1980, FRIDAY...

Top 10 films of 2022 (FEATURE)

So often we ride out the year sifting through the hundreds of genre entries that have adorned our eyes to find the few that make it to...

THE APOLOGY (REVIEW)

Dir. Alison Locke Reviewer. Martyn Wakefield THE APOLOGY sees Anna Gunn come face to face with a long lost family member who arrives over...

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